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“Echoes”, Dance Solo by Dagmar Spain with clarinetist Otto Kaplan at the Future without Atomic Weapon Exhibition at the Peace Center (SGI) in Berlin, Germany
Multi-Modal Research—Using Dance as a Research Method EXHIBITION MODES (Volume 2), at Teachers College, Columbia University, New York
How can participants use dance as a language to express themselves? What might this embodiment tell us? Dr. Dagmar Spain discusses her research in her dissertation, titled “Embodied Dialogic Spaces as Research Methodology for Students’ Postgraduate Reflection on Their Dance Learning.” Her dissertation was part of MODES: A Multimodal Dissertations Exhibition (Volume 2) (https://www.tc.columbia.edu/digitalfu.. ) and explored how scholars are bridging the gap between research, practice, and audience with their creative dissertations. These alternative modes of scholarly inquiry and expression provide insight into different ways data can be collected and responded to in a mediated, digital, multimodal world.
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The research performance “Hidden Phases” is part of a longitudinal study on dance students’ reflections on their professional dance education and an extension of my dissertation performance, “Research is Choreography,” at Lake Studios, Berlin, Germany.
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“The CIRCLE”— a ”community dance project
“The Circle” is an intergenerational and intercultural community-based project in which the Czech folk dance “Cerešničky” (cherry) from Moravia serves as an inspiration for communal and co-creational dances based on the formation of a circle, at the National Czech & Slovak Museum & Library (NCSML), Cedar Rapids, Iowa.
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